Journal — Tristan Parker Photography

Since returning to photography after 12 years absence and starting to take photos of any kind a little over 12 months ago, I have gone through a bit of a whirlwind transition of finding my feet again with a camera.

Lessons in life through following your passion

This is a topic that has been slowly forming in my mind for a while. Today, I had a chat to a good friend online, and some of the things that we were discussing finally started to crystalise these thoughts into some sort of form that I think I will be able to get out. The general thought that has been slowly forming goes something like this:

If you lead a life that involves following your passion, this is a path that you are able to follow that will teach you lessons about yourself, and others

What is a camera?

We all fall prey of the camera and the strange yet powerful hold that it has on us. Whats this about? Its a lust, its one of the sins in the history of many religions... Dont get me wrong, Im not religious. I just know from experience that this is what drives the obsession with the camera. Its also what drives modern society to want better cars, bigger houses, better whats its, and so on. If its not lust then its greed, I dont know if one is better than the other, but I am going to say lust... I know this as its something that I need to fight to control myself as well. The answer to the question is quite simple really. The camera is a tool. The camera is the same sort of tool as a painters brush, a sculptors clay, and a woodworkers saws. It is however one that has been much abused by society, and has hence lost some of its bygone allure and mystery.

Digging out of creative ruts through writing

I have been in a bit of an artistic rut lately. I dont know the pin point reason for this, and I guess I dont even know if there is a single reason, or if there are few things that have come together to result in the lull in productivity. Since I started to get back into making images with a camera about 12 months ago now, I havent had this happen yet, so its causing me a little stress. When I remove myself from the situation and sit back and try to be objective about the scenario I am not overly concerned. I know deep down that I will come back again. But its sometimes hard to be removed and objective, so I thought that I would write about it in the hope that maybe penning these thoughts would act as the conduit that I needed to return to some form of productivity.

The great genre debate: The influence others have on Street Photography

This was a topic that I started to write in Thailand, but my broken tablet screen put a halt to the blog productivity. This was actually a real shame, as while it was raining there (it rained a lot) I was really enjoying just sitting on the balcony of the villa we were in and writing. I found it relaxing, and quite honestly I couldnt have thought of a nicer way to spend some time while away on a break.

Street Photography Without People

As the topic title says, we are going to have a look at street photography without people. A lot of the street photography at the moment is centred on people. People doing things out of the norm. People in the right light. People who have an interesting look. A majority of the work of the masters of Street Photography also contained a people element, but I think at that point there was more of a trend of telling a story and showing a snapshot of society. Maybe the trend of the moment of seeking out and capturing the weird and wonderful says something about us as a society in the modern era, but that is likely the topic for future conversations. But... Is there a need to have a person in a shot, or is it possible to shoot street work of high quality without shooting people?

Is street photography changing in the digital age?

This discussion is a growing theme for some of the words that I pen here when I have the time and motivation to do so. I guess I write these things on topics that I feel passionate about. In all things in life this is where you get your best results (maybe a topic for another time). The theme in question is how the world is changing and how this is changing photography. I have asked this question specific to Street Photography, but I think we will be able to investigate the topic in a more holistic nature as far as photographic genres go.

Where Will the Street Photography Boom End?

Street photography is booming right now, and I think that this raises a few questions. Some of these questions in my mind will lead to desirable results, others however may not.

In the years gone by there have been a wealth of very talented artists that have walked the streets of the various cities and locations of the world with a simple camera in hand, and a very simple goal. The goal was to document and record the world around them. Some were doing it for different reasons to others. Some were doing it to preserve memories of their life, others as they loved to interact with their subjects and record life of people in the places that they either lived or visited. Others still as they were simply obsessed with the still image and its wonders. I think that even the later needed to be draw in some way to the people around them though, it was a requirement of the trade for most.